My First Ash Wednesday

Ash WednesdayToday I attended my first Ash Wednesday service.

For a guy raised within a Christian heritage that paid minimal attention to the Christian calendar, this was noteworthy.

At a local Anglican Church, I joined a “crowd” of fewer than twenty. For a moment, I wondered if I was in the wrong place. The masses pour forth when the life of Easter is dished out; I suppose it is expected that discussions of dying will thin the crowd.

Service opened with this prayer together:

Almighty and everlasting God, You despise nothing You have made and forgive the sins of all who are penitent. Create and make in us new and contrite hearts, that we, worthily lamenting our sins and acknowledging our brokenness, may obtain of You, the God of all mercy, perfect remission and forgiveness; through Jesus Christ our Lord, who lives and reigns with You and the Holy Spirit, one God, for ever and ever.

Fire and Ashes

After further Scriptures and prayers, the priest shared a few thoughts. He highlighted the season of Lent as a time of spiritual cleansing, a period during which we make choices on how to create extra space: for God’s special arrival and for our sharpened attention.

In speaking of the ashes about to be smudged on each forehead, he pointed out that the upcoming Easter message of resurrection, by its nature, must be preceded by a message of death. Crosses comes before crowns, and fires come before ashes.  Steelmakers use repeated burnings to strengthen and solidify their metals. The blacksmith known as Yahweh subscribes to a similar strategy. People of faith are purged toward purity and hardened toward holiness through seasons of fire. To live out Lent is to willingly enter the flames. It is to mark oneself with ashes, convinced that every burn of self-death will be honored by the One in whom abundant life dwells.

All the Same

There is a beautiful solemnity in the imposition of ashes. The priest approached each of us, smudging (or “imposing) a dull black cross on our foreheads as he spoke one simple sentence, “From dust you came, and to dust you shall return.” I watched the first worshipers receive this moment, eyes closed or heads bowed or eyes locked on the priest’s. My turn came and went, and by the end of the semi-circle, all of us bore the mark of mortality. The woman to my right would likely dine at a soup kitchen later that day. The gentleman to my left was a federal judge from Ottawa, in town for the week. The priest himself had been marked by a church member. High and mighty, meek and meager–all lines are erased when dust and ashes are the theme. Most in the room wore silver hair that betrayed the fact that they were further from the dust-birth than I was, but charcoaled crosses now reminded that none of us knew who was closest to their dust-return.

One might take exception to the Ash Wednesday mantra. “I’m not just dust; the part of me that is really me isn’t that.”  True enough, but even the objection serves to highlight the point: None of us contain life. We do not generate it or guarantee it. There is One from whom it flows; He is its fountain and its founder.

And if the wearing of a greyed facial mark helps drill that in, then smudge up, my friends!

Christ is Risen!

Miserere Mei, Deus

The above title is Latin for “Have mercy on me, O God,” a phrase from Psalm 51.

It is also the title of a stunningly beautiful piece of music composed by Gregorio Allegri sometime around the 1630’s.  It was intended for exclusive use in the Sistine Chapel during the morning services of Holy Week.  These services typically began around 3:00 AM, and during the rituals, candles would be extinguished until only one remained.

At some point, it became forbidden to transcribe this music and was allowed to be performed only at the services described above, adding to the mystery surrounding it.  However, in 1770, a fourteen-year-old Mozart was visiting Rome.  Hearing the piece for the first time during the Wednesday morning service, he left the chapel to write it down from memory.  It is said that he returned on Friday for a second listen to make some minor revisions.  He published the piece a year later, effectively ending the “ban” and earning him surprising praise from the Pope, who was understandably astounded at the musical genius before him.

When your schedule today will fifteen minutes of listening, press “play” on the video below and be blessed by this once mysterious, ever-majestic creation, dedicated to the Creator and Redeemer of all.